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最后只好爬起来

简单记下西湖音乐节

without comments

P.K.14 @西湖音乐节,June 6, 2010, 图片来自 sangmo @ douban

Ataraxia
大草坪上光天化日之下听这样的新古典,感觉十分违和。与大牌的地位也不相符,总之是一种比较不成功的安排。

重塑雕像的权利
也许是日期沾点边,华东非常卖力,效果比我预计的好很多。非常爽。也是从这次live开始,《If the Monkey Becomes (to be) the King》正式远远抛开《Boys in Cage》和《TV Show》成为我心中重塑的最高作。

P.K.14
第一次在同一场合连看重塑和P.K.14,而且是紧挨前后,这也是我来杭州的理由——主办方的安排真的非常到位,很有水平。把P.K.14放在重塑之后可能有辈份的考虑,毕竟重塑勉强也能算是P.K.14的一根肋骨,不过就音乐表现的冲击力来说,也许杨海崧的队伍确实是不如华东了。虽然P.K.14有着更多更远的表演经验,但重塑的东西更为直接。杨海崧这次表演的高踢腿次数之多令人咋舌,美国特训的功力可见一斑。期待他们接下来的方向。

后海大鲨鱼
去吃晚饭了,错过了大部分。其实相当喜欢,对付菡也觉得越来越可爱了。是那种轻妙地可以尽兴地融入进去的感觉。也很有时尚感。

These New Puritans
英伦新贵,路线很古怪,很难适应。三人配置中有两人的主要乐器是鼓,当然三人都在弄效果器。完全放弃了旋律,节奏也非常生硬地搞着怪。我好象是没有等到演完就走了,最后一个压轴的何勇也没有看。

总结是,西湖音乐节的组织非常好,利用空间非常合理,我去的两次都感觉非常不错。而且从乐队安排上来看至少是相当有音乐感觉的人。搞成这样相当到位了。

Written by kyth

July 17th, 2010 at 12:32 am

Posted in Archives

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